Recent Episodes
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Anna Stewart on being a captain of one of the biggest games of the year
Jun 21, 2024 – 13:50 -
Atticus Bastow on the mysteries of the universe at the bottom of an abandoned mine shaft
Jun 7, 2024 – 15:47 -
Martin McKenzie-Murray on the ugly side of football fandom ahead of Euro 2024
May 24, 2024 – 19:21 -
Elizabeth Farrelly on the city of the future
Apr 20, 2024 – 19:56 -
Sophie Cunningham on remembering Georgia Blain
Apr 5, 2024 – 13:48 -
Elmo Keep on the insane spectacle of U2 at the Las Vegas sphere
Mar 22, 2024 – 27:25 -
Ange Lavoipierre on how much sex is too much for one person
Mar 8, 2024 – 17:12 -
Jane Gleeson on why we need decay to save the planet
Feb 23, 2024 – 15:52 -
Konrad Muller on organic wine and whether it’s worth it
Feb 9, 2024 – 13:47 -
Anthony Ham on what happens when a mine is meant to be rehabilitated
Jan 26, 2024 – 25:19 -
Suzannah Marshall Macbeth on the role of predators
Dec 15, 2023 – 15:30 -
The Bhutanese nuns editing Wikipedia to share their culture
Dec 1, 2023 – 18:00 -
Jack Manning Bancroft on Indigenous knowledge systems
Nov 17, 2023 – 18:42 -
Nicole Hasham on a Christian monument a decade in the making
Nov 3, 2023 – 35:53 -
Read This: David Marr vs Australia’s Old Lie
Oct 20, 2023 – 27:32 -
Robyn Annear on the untold history in our public toilets
Oct 6, 2023 – 13:04 -
Patrick Dodson makes his case for the Voice
Sep 22, 2023 – 48:55 -
When music journalism meets an MRI scan
Sep 8, 2023 – 19:45 -
New nipples with tattoo ink
Aug 25, 2023 – 19:22 -
Christos Tsiolkas on pieces of fiction that stay with us forever
Aug 11, 2023 – 16:28 -
Don Watson on cancelling a war hero
Jul 28, 2023 – 13:52 -
John Safran on lessons from his friend, Father Bob Maguire
Jul 14, 2023 – 12:35 -
Carrie Tiffany on sugar, family and loss
Jun 30, 2023 – 20:38 -
Esther Linder on food insecurity
Jun 16, 2023 – 26:47 -
Michael Williams on The Monthly’s 200th edition
Jun 2, 2023 – 17:13 -
Sasha Gattermayr on an obsession with carnivorous plants
May 19, 2023 – 13:40 -
Quentin Sprague on shocking reports in the Aboriginal art industry
May 5, 2023 – 25:35 -
Richard King on how ChatGPT is changing how knowledge is shared
Apr 21, 2023 – 16:22 -
Lucianne Tonti on the battle to stop wasting brand-new clothes
Apr 7, 2023 – 16:02 -
Sophie Cunningham on the cost of native logging
Mar 24, 2023 – 14:33 -
The late Robert Adamson on fishing the river he loved
Mar 10, 2023 – 15:23 -
Erin O’Dwyer on how to design housing for happiness
Feb 24, 2023 – 12:14 -
Clem Bastow on borrowing life lessons from Dolly, Girlfriend and Seventeen
Feb 10, 2023 – 14:41 -
‘A patch of land’: Gardening with Laura Tingle
Jan 13, 2023 – 12:05 -
Surfing the little breaks, with Sarah Walker
Jan 6, 2023 – 19:03 -
Sam Vincent on the overdue arrival of native Australian ingredients on our plates
Nov 11, 2022 – 52:40 -
Cate Kennedy on the collective power of song
Oct 14, 2022 – 17:41 -
Jock Serong on the coral windows to our oceans’ past and future
Sep 2, 2022 – 12:00 -
Bronwyn Adcock on a terror suspect held for almost 20 years without trial
Aug 5, 2022 – 28:26 -
Don Watson on how to be a prime minister
Jul 15, 2022 – 23:17 -
Anna Goldsworthy on the importance of music and learning
Jun 17, 2022 – 32:24 -
Richard Cooke on NFTs and digital art
Mar 18, 2022 – 27:53 -
‘The first victim’
Feb 4, 2022 – 55:34 -
Mark McKenna on ‘The Stunted Country’
Dec 10, 2021 – 39:54 -
Richard Denniss on the worst policy failure in Australian history
Nov 5, 2021 – 39:12 -
Helen Garner’s lockdown diaries, 2021
Oct 22, 2021 – 21:29 -
Hugh White on the folly of the War on Terror
Oct 1, 2021 – 33:03 -
Scott Ludlam on Julian Assange
Aug 6, 2021 – 32:35 -
Richard Flanagan on why he writes
Jul 2, 2021 – 26:01 -
Sarah Krasnostein on the most hated man
Jun 4, 2021 – 35:23
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